Tucker Beathard Confesses His Vices To God in “Find Me Here”

Tucker Beathard Find Me Here

Warner Music Nashville’s most recently signed recording artists and songwriters, Tucker Beathard has committed to authenticity when releasing new music. While his standout “Better Than Me”, is all about a relationship ending, “Find Me Here” is reflective, focusing on the inner soul rather than external connections. The track is dripping with honesty and is the second release from the forthcoming second chapter of his double debut album. Beathard cowrote the song with Monty Criswell and Phil O’Donnell.  “This song is my confession to the man upstairs,” shared Beathard in a recent press release. “Because it’s such a vulnerable, personal and emotional song, the only way to fully capture that when recording it was by waiting till about 3 AM. That way I could fully get into that headspace, while my voice was tired as we recorded this as a live take with just me and a guitar.”

The accompanying visual, also released today, is simple, Beathard is sitting on the trunk of an old car, picking an acoustic guitar, baring his soul to God in front of the motel rooms he sings about. “I wish I was on a plane, or hoppin’ trains or standing with my thumb in the air, waving down a cab somewhere /Granted, I don’t want to be caught in room 316, with a hotel Bible as a coaster underneath my beer / Lord, if you decide tonight’s the night you’re comin’ back, I hope you don’t find me here”

During the second verse, he is found sitting on the bed in that same dingy motel room, and as you peer into this private conversation between a sinner and his saving grace, you can’t help but relate. We recently caught Beathard at Mercury Lounge where his intimate show proved he can perform the rock-heavy anthems just as well as these quiet messages. “Find Me Here” is a moment during the show where you could hear every single breath he took before each word, the crowd captivated waiting to hear the next line. Check back later this year for the full album.

To keep up with Tucker Beathard, follow him on InstagramTwitter, and Facebook.

“Find Me Here” is now available everywhere you buy or stream music. Take a listen below and check out more new recently released music here on our ‘New Country Music’ playlist. Be sure to give the playlist a follow for your weekly new country music fix.

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Thomas Rhett Continues Album Release Week on The Today Show

Thomas Rhett Today Show

Thomas Rhett is celebrating his newest album released this week, Center Point Road, with a few huge events here in New York including a performance at the iHeartRadio Theater, media interviews, a Pandora listening party and this morning’s Today Show concert series appearance.

Carson Daly, Savannah Guthrie, and Craig Melvin introduced Rhett and all took turns sharing praises about Rhett’s new album saying, “It is already blowing up on the iTunes charts.” Prior to the album coming out, Rhett had released songs “Look What God Gave Her” and “Center Point Road,” with Kelsea Ballerini, that have already proven to be hits.

The country singer started off the morning with his hit “Look What God Gave Her” and rocked the crowd despite how early it was. Everyone was dancing and singing along to songs off his new album as well as some throwbacks including “Crash and Burn.” For exclusive clips head to our Instagram Stories.

Rhett slowed it down for another track off his album, “That Old Truck.” The song brings back the nostalgia about his first car in high school. “I fell in love in it / Made a lifetime full of memories / On a half tank of gasoline / I learned just who I wasn’t and who I was / In that old truck, mmm / In that old truck” Swaying back and forth to Rhett’s soft strum on the guitar, the fans were soaking up every minute of it.

Check out more exclusive coverage of Thomas Rhett’s New York City album release week as he hit iHeart Radio as well as Pandora, performing to an intimate crowd.

Rhett also just kicked off his “Very Hot Summer” tour with his dad Rhett Akins, Russell Dickerson, and Dustin Lynch. Hitting thirty-nine cities across the country there are plenty of opportunities to see this star-studded concert. New York fans will have the chance to see this tour at the legendary Madison Square Garden on September 20, 2019.

To keep up with Thomas Rhett, follow him on Instagram, Twitter, and Facebook.

Center Point Road is now available everywhere you buy or stream music. Take a listen below and check out more new recently released music here on our ‘New Country Music’ playlist. Be sure to give the playlist a follow for your weekly new country music fix.

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NYCS First Impression: Austin Jenckes ‘If You Grew Up Like I Did’

Austin Jenckes

Austin Jenckes has had quite a musical journey. From releasing several solo projects over the last decade, to joining a group (called “The First Call), to being a Team Blake contestant on Season 5 of The Voice. While most people are familiar with him from the TV show in 2013, the Duvall, Washington native has taken a step out of that television spotlight and returns with a full album, his first since the competition.

Released via Nashville artist development company and indie label Red Dot, If You Grew Up Like I Did gives listeners a very personal glimpse into Jenckes’ journey as he lets the art take individuals on a ride through love, death, hardship, and celebration. Proving himself as both a vocalist and songwriter, Jenckes had a hand in co-writing eight out of nine tracks on the record.

Album opener “We Made It” celebrates triumphing over all odds to lead a beautiful, satisfying life that is not perfect by worldly standards, but the couple’s own. Penned by Jenckes, Jaren Johnston (of The Cadillac Three) and Jonathan Singleton, the song paints imagery of a life with joys and hardship co-existing together but still living, the couple is grateful enough to say it ain’t got what we want but got what we need, hey, we made it.

A sweet, nostalgic look back on love so sweet is then followed with “Never Forget” (Jenckes, Brinley Addington), and the feel-good “American Nights,” a celebratory anthem about the carefree in-the-moment feelings of fun and earning our stripes underneath the stars.

Lead track “Fat Kid,” which features Grammy-nominated songwriter Lori McKenna (Tim McGraw, Little Big Town), encompasses one word in 4 minutes: nostalgia. We all have felt, at some point in our almost-picturesque life, like outliers. We may be happy with our choices, but something unsettles us about a certain aspect of it. This is when Jenckes’ emotional delivery shines, along with the writing of McKenna, Neil Mason (1/3 of The Cadillac Three) and the late Andrew Dorff. The one lyric that hits? “That summer before your senior year, you lost a damn good friend. / And finally on a Sunday morning, you learned how to say Amen”

Penned with one of Sony Nashville’s newest artist, Jameson Rodgers, “Bet You’d Look Good” pays compliments to his significant other about her unceasing beauty, whether in a Willie Nelson shirt [he] bought from a southern thrift store for a couple hundred pennies or in a world that keeps on spinning. “Never Left Memphis” is a rocking, soulful, feet-thumping song that showcases Jenckes’ evident rhythm and blues influences.

An undeniable highlight on the album is the deeply personal “If You’d Been Around.” Co-written with Lynn Hutton (Eric Church, Florida Georgia Line, Jon Pardi) and Tammi Kidd Hutton (Scotty McCreery, Kellie Pickler, LeAnn Rimes), is delivered as a personal letter to Jenckes’ late father (who passed away when the singer was just 16) about what he would’ve witnessed in his son’s life, if he had still been around. The heart-wrenching tune explores the what-ifs and emotions entailed in a loss too soon. “The road ain’t been busy, but I found my way / Sometimes I think I might’ve turned out more like the man I’ve heard stories about / If you’d been around”

Proving the universal power of music, the same three writers team up again on “There’s A Song,” a track that lists some of the biggest songs across all music genres, in a convincing invitation to listeners to realize how there truly is a song for the roller-coaster journey of life. Jenckes then wraps up the album by taking a step back and promising his wife he knows what matters the most at the end of the day; and he’ll “Ride Away” with her anytime, wherever she wants to go

After listening to this record, we dare say, he’s “made it”– both as a writer and artist. Our guess is, it won’t be long till a major label takes interest in his artistry and the irrefutably perfect storyteller that he is. Not only is the country singer readying to bring his music across the pond to Europe later in the fall, but he is also slated to make his big Grand Ole Opry debut in Nashville on June 15.

To keep up with Austin Jenckes, follow him on Instagram, Twitter, and Facebook.

“If You Grew Up Like I Did” is available now. Take a listen below and check out more new recently released music here on our ‘New Country Music’ playlist. Be sure to give the playlist a follow for your weekly new country music fix.

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NYCS First Impression: Thomas Rhett ‘Center Point Road’

Thomas Rhett Center Point Road

Upon first listen, Thomas Rhett’s Center Point Road may come off as a fairly standard collection of country ballads and modern party tunes. Yet, upon further listening, Center Point Road is a collection of love letters. While some are to the expected recipient, his wife Lauren, there are also declarations of love to his home town (“Center Point Road”), his first car (“That Old Truck”), his younger days (“Remember You Young”), and his favorite beverage (“Beer Can’t Fix.)

“For me, Center Point Road really symbolizes what it was like to grow up in Hendersonville [Tennessee],” said Rhett in a statement. “First dates, first football games, first heartbreak, first kisses, success, and failures. I really feel like that road shaped who I am today, and it felt fitting because the record, for the most part, is pretty nostalgic. Songs like ‘Almost,’ ‘That Old Truck’ and especially ‘Center Point Road,’ really describe who I was as a kid and teenager, and who I’ve become as an adult.”

On the 16-track collection, all co-written by Rhett, he seamlessly soars from slick pop-leaning tracks to more traditional country offerings. The album shows Rhett in two main modes: reflective and ready for a good time. There are songs for both moods, and while Rhett rarely strikes out musically, he also manages to hit quite a few home runs on his latest release.

While Rhett can release a party song with the best of them, and they are aplenty, he shines on the slower, more reflective tracks. He’s at his best when he’s singing about his love for his wife, as evidenced on “Blessed.” Rhett sings, “People say I’m lucky/ but lucky ain’t the word/ Oh I’m blessed.” There’s also “Notice,” which shows that Rhett notices the little things about the woman he loves, revealing, “You think that I don’t notice, but I do.”

In a similar vein are “Dream You Never Had” and “Almost.” On the former, Rhett sings the praises of his wife who’s living his crazy life with him. “You married the music the day that you married me,” Rhett proclaims here. “Baby I’m just the singer / And you are the songs that I sing.” On “Almost,” Rhett reflects on all of the “almosts” in his past, the things he “almost” did or didn’t do that would’ve changed the entire course of his life. This is the Thomas Rhett equivalent of Garth Brooks’ “Unanswered Prayers” and it’s truly a poignant way to end the album.

If you’re here for a good time, this album is full of songs for that as well. In fact, Rhett has single-handedly created our summer playlist with songs like “VHS,” “Sand,” and “Barefoot.” In case you were wondering, “VHS” stands for “Very Hot Summer,” and is most definitely not about those tapes that went in your VCR.

Prior to the release of Center Point Road, Rhett released a handful of tracks including his collaborations with Jon Pardi (“Beer Can’t Fix”), Little Big Town (“Don’t Threaten Me With a Good Time”) and Kelsea Ballerini (“Center Point Road”.) Interestingly, each of these tracks brings out a different side of the singer, as he’s a bit more country on the Pardi collab, a bit more funky with LBT, and a bit more anthemic pop-rock with Ballerini.

On Center Point Road, you can hear the superstar experimenting with different themes and sounds. The album’s opening track “Up” sets the tone as Rhett harmonizes over funky horns and unique grooves, singing along to a choir that reminds us that “Everything’s Gonna Be Alright.”

For Rhett, everything is definitely going to be alright. With Center Point Road, he’s sure to continue his ascent through the ranks of the country music community. In fact, I think it’s safe to say that it’s only a matter of time before that coveted Entertainer of the Year trophy is on his mantle.

In addition to the release of the album, Thomas Rhett took New York City by storm during his album release week. With visits to iHeartRadio, Pandora and the TODAY Show, check out our exclusive coverage here.

To keep up with Rhett, follow him on InstagramTwitter, and Facebook.

Center Point Road is now available everywhere you buy or stream music. Take a listen below and check out more new recently released music here on our ‘New Country Music’ playlist. Be sure to give the playlist a follow for your weekly new country music fix.

 

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New Country Music Friday – The Playlist 5/31/19

It’s our favorite part of the week, New Music Friday! Thomas Rhett’s highly anticipated album, ‘Center Point Road’ is finally out today. “While Thomas Rhett rarely strikes out musically, he also manages to hit quite a few home runs on his latest release, ‘Center Point Road’…” Check out our full First Impression Review of the stellar album here.

Who’s ready to do the Git Up Challenge? There’s a new brand of country music and Blanco brown is bringing it straight to you, take a listen to his debut ep featuring “trailer trap” music here.

Additionally, we hear new music from Hannah Bethel who released the ethereal and honest single, “Rhinestone Rodeo”. New music from Tucker Beathard, Travis Denning, Muscadine Bloodline, Austin Jenckes, Fairground Saints and more also were released today.

Check out all the new music and more on our Spotify New Country Music Playlist below and be sure to follow for updates each and every Friday:

 

 

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Hannah Bethel Releases Ethereal and Honest “Rhinestone Rodeo”

Hannah Bethel

Rising country artist Hannah Bethel is mesmerizing fans with her angelic voice and creative songwriting ability. The independent artist received praise and accolades for her debut single, “Train” and was recently inducted as one of the newest members of the Song Suffragettes, a group of talented female singer-songwriters in Nashville. She is now hoping to find more success with her new song, “Rhinestone Rodeo” that was released today.

The song is innovative, carefree, and alluring, as Bethel blurs genre lines effortlessly on the track. Her voice is impactful, yet soft, reminiscent of country megastar Kacey Musgraves’ undeniable talent. Proving that she is a force to be reckoned with in the industry, the songstress pushed to write and record this song, as it embodied a message and a story that she wanted to share with the world.

“Everyone’s got stars in their eyes / It’s easy to get blinded by the light / You can’t always hear your heart over the rowdy crowd / But man it’s worth it – took you years to find that sound.”

Co-written by the singer with Farewell Angelina’s Nicole Witt and established singer-songwriter, Tiffany Goss, “Rhinestone Radio” is about Bethel’s journey navigating the highs and lows of the music industry.

She recalls in a recent press release, “I had the title for ‘Rhinestone Rodeo’ for a couple of years before it finally made its way into a song. I wanted it to be a song about my journey of navigating a life in the music business […]. Everyone chasing a dream has a ‘mountain’ to climb. For me, Nashville has been my ‘mountain.’ There have been many seasons during my ten years in Nashville, some beautiful highs and terrible lows, but I am grateful for every experience that has made me stronger, wiser, more certain of who I am as an artist and a human, and more determined than ever to move forward with great joy and optimism in my heart.”

We caught Bethel’s stellar show in NYC last weekend, check out the full recap here. To keep up with her, follow her on Instagram, Twitter, and Facebook.

“Rhinestone Rodeo” is now available everywhere you buy or stream music. Take a listen below and check out more new recently released music here on our ‘New Country Music’ playlist. Be sure to give the playlist a follow for your weekly new country music fix.

 

 

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NYCS First Impression: Blanco Brown’s Debut Self Titled EP

Blanco Brown

The country music world better make some room, because Blanco Brown is certainly redefining the genre. The brand-new artist released his self-titled EP today (May 31) via Broken Bow Records, and if its success is anything like that of his widely received debut single, ‘The Git Up’, it could mark a very unique and timely twist on what we know and love as country music.

Brown’s sound has been self-defined as “trailer trap” – part trailer park, part trap music, an ingenious genre of his very own which is heavily influenced by two of his greatest musical influences- Johnny Cash and Outkast.

Through the songs on this EP, such as ‘Ghett Ol Memories’ and ‘Georgia Power’, he manages to give you a glimpse into his childhood, split between the urban ‘hood and summers spent with relatives in the small rural town of Butler, GA., while at the same time seamlessly blurring the lines between hip hop and country, two genres that have always been thought of as polar opposites.

“I don’t necessarily think of the sound as being genre-breaking,” he says in his bio. “I think of it as being culture-bonding. If you listen to the messages of these songs, you’ll find it’s about the things we all go through as humans, not about race.”

“The Git Up”, his debut single released on May 2nd, 2019, has caused an overwhelming outbreak of attention to Brown, just in time for the release of his new EP. This undeniably catchy and loveable dance-along song has its own fun choreography, as posted in an instructional video on Brown’s YouTube channel, and has even led to ‘The Git Up Challenge’, consisting of swarms of online fans posting their rendition of the dance moves. Comments on the tutorial read ‘Cha Cha slide meets Old Town Road’, and ‘Country Weddings will never be the same.”

In songs such as ‘CountryTime’, and ‘TN Whiskey’, Brown mixes his stellar vocals with catchy hip hop beats that sneak in when you least expect it, and completely change the entire feel of the songs, giving them the best of both worlds.

“Making trailer-trap music really feels liberating to me because I want to bring people together. That’s what this music stands for: unity. It’s multiple influences and sounds and styles, all coming together,” Brown continues.

Brown’s authenticity, gift for detailed story-telling, artistic mind and diverse upbringing are the perfect combination for songs that will capture the hearts of many who can relate to his stories, are fascinated by his new self-made genre, and simply just want some music to listen to have a good time.

To keep up with Blanco Brown, follow him on InstagramTwitter, and Facebook.

Blanco Brown is now available everywhere you buy or stream music. Take a listen below and check out more new recently released music here on our ‘New Country Music’ playlist. Be sure to give the playlist a follow for your weekly new country music fix.

 

 

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Donovan Woods & Tenille Townes Collaborate on “I Ain’t Ever Loved No One”

Today, the talented Canadian singer-songwriters Donovan Woods and one of our 2019 Artists to Watch,  Tenille Townes released the animated acoustic video for their collaboration “I Ain’t Ever Loved No One.”

“I Ain’t Ever Loved No One” is off of Woods’ most recent album The Other Way and which was produced by Todd Lombardo who has notably worked with Kacey Musgraves, Taylor Swift, and Niall Horan. Rolling Stone praised Woods saying, “He’s got a knack for slice-of-life storytelling that blends heartache and hooks.” Together with Townes, their voices tell a remarkable story of feeling a love they’ve never felt before.

In the video, a brown backdrop sets the stage for pink flower petals that fall gently onto a hand and sets the tone for the ballad that undoubtedly hits your heart. The fallen rose petals landing on a hand and blooming into another flower is a beautiful metaphor of a love that evolves and prospers. Their raw, crisp voices blend together flawlessly for the chorus as they sing deep, honest lyrics, “And you set the bar for this stubborn heart /And when you met my family, everybody knew that you had me wrapped/I ain’t ever loved no one like that /And when I said I loved ya, I didn’t care if you said it back/I ain’t ever loved no one like that.” As the song nears the end, a silhouette of a man and a woman come together with flower petals continuing to fall as Woods and Townes sing “And maybe I’ll love again, then again, maybe I won’t / Maybe you feel the same, maybe you don’t / How would I know?”  Their incredible voices on this duet will make every hopeless romantic’s heart melt.

Woods will be joining Ruston Kelly on his Brightly Burst tour this fall and is making a stop here in New York City on October 24th at The Bowery Ballroom. Townes will be performing at CMA Fest next week at the Chevy Breakout Stage, and is continuing her summer run on Dierks Bentley’s “Burning Man Tour.”

“I Ain’t Ever Loved No One” is now available everywhere you buy or stream music. Take a listen below and check out more new recently released music here on our ‘New Country Music’ playlist. Be sure to give the playlist a follow for your weekly new country music fix.

 

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Woman of the Month: Susan Nadler

We’re bringing you stories from women who are chasing their dreams and building a life that they love with New York Country Swag’s, “Woman of the Month.”

Each month, we highlight a different female pursuing her passions. Introducing you to women who are taking risks, working relentlessly and turning their dreams into reality. These are empowering women who serve as role models and should be celebrated.

Susan Nadler

Photo By: Anna Webber/Getty Images for 2017 ACM Honors

This month we interviewed an icon in the music business in Nashville, Susan Nadler. Nadler who is 72 years young is one of the Shady Ladies of Music City, a new podcast premiering next week. Along with Evelyn Shriver, the two women infiltrated the music business in the 1980s and 1990s, becoming the first women to ever run a music label, Asylum Records. In our hilarious phone call, Nadler is honest about her life, being a woman in the industry and gives some of the best advice to young girls who are following this dream.

Nadler took us back to the days growing up in Pittsburgh, to her journey to Israel, running a popcorn stand in Key West, and eventually making her way to Music City to further her love and respect for the music business. As a child, she recalls playing the flute, her sisters playing the piano and the violin and there always being music in the house. She loved R&B, listening under the covers at night to a tiny transistor radio that her father gifted her. “It was a great way to grow up, music was a huge part of my life,” she says.

She recalls going to see Bob Dylan and Joan Baez in concert, “Bob Dylan and Joan Baez were two of the first that I ever heard that made me fall in love with folk music, I still loved R&B but I got to hear so many different kinds of music, I was pretty lucky,” she tells us. “I used to go to the record store on Fridays, there was a place called the National Record Mart, and I would buy 45s every Friday.” Still, to this day, she explains that she is the only person she knows who still goes on Amazon to buy CDs from artists that she loves.

To say her life before Nashville was unconventional is quite the understatement, over the years between growing up in Pittsburgh and marrying a songwriter in Tennesee, Nadler lived in Israel, was busted for smuggling drugs, spent time in a jail in Mexico and owned a popcorn stand outside of a bar in Key West, Florida that was popular for its drag shows.

After marrying her second husband who had written the popular song for Glen Campbell, “Dreams of the Everyday Housewife” she started writing for The Tennessean, and sort of fell into public relations in the music industry. “I met all of these incredible songwriters, they all got along great and they all played their music together, they weren’t so competitive, they were really friendly,” she tells us. She worked closely with Tammy Wynette, stating she was the most generous person she had ever met in Nashville. “She was just unbelievable when I first started working for her, I didn’t have a dime, Tammy and her husband offered me money if I needed help to get into the music business,” she recalls. She managed Lorrie Morgan before meeting Evelyn in 1988 and the two of them teamed up to run Asylum Records, making them the first females to ever run a major Nashville label. They went on to sign George Jones and help him release his Grammy-winning album Cold Hard Truth. She explains how it was tough being women in that industry because the men who were running everything weren’t thrilled with them being in that position.

We discussed what a day in the life looked like during those years and she explained: “Every day there was stuff going on, there were number one parties all of the time, people coming to pitch us songs, where you don’t want to take the time out to listen to it, but you never know who you’ll hear,” Nadler says. “Every day was very busy, it was really fast-paced, we were hard-pressed to keep up with it all.”

As two women who were pioneering the way for others over the past four decades, Nadler and Shriver have seen many changes in the music business over the years but Nadler says one thing that hasn’t really changed “the boys run the city and they run the business”. Explaining she feels there are a few women who have broken in but that most of the time, women are too nervous to fight for what they want.

As far as advice, she simply laughs and says “Don’t fuck anybody, that’s the first thing I’ll say. Don’t get involved with anybody romantically or sexually that you are in business with, its a huge mistake.” She also is heartfelt when she says to not lose your love for the music, for the reason you are in this business in the first place. “No matter what else happens and keep listening and keep looking for new stars.”

Nadler still resides in Nashville and is getting ready for the release of the podcast Shady Ladies of Music City. She also loved poetry as she was growing up, and always thought that she would become a writer, which eventually she did, becoming a published author of three books, all available here on Amazon.com.

The first episode of Shady Ladies of Music City will be released on June 4th but you can listen to minisodes now about Evelyn and Susan below. Check back next month when we will feature Evelyn as our June Woman of the Month.

Follow the Shady Ladies of Music City on Instagram, Facebook, and Twitter.

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Lauren Alaina Drops “Ladies In The ’90s” Music Video & Announces Tour

Ladies in the '90s

Get out your fanny packs, mood rings, and butterfly clips, because in the midst of announcing her brand new THAT GIRL WAS ME TOUR, Lauren Alaina also managed to drop a new and exciting music video. Alaina finally unveiled the long awaited music video for her hit single, “Ladies in the ‘90s,” in order to get fans pumped up for her tour. This video pays homage to all things 1990s and will give you all of the throwback vibes you need! The tour will be taking place across the country this Fall, but in the meantime, make sure to check out the video below.

Being born in ‘94, as Alaina states at the beginning of the song, definitely plays a role in the overall aesthetic of the video, and will definitely make fans feel nostalgic. The 90s-esque music video is set up to make Alaina the host on a QVC-like channel, promoting the most iconic products of the decade. From slap bracelets to moon shoes, to butterfly hair clips– “LVC” sure knows how to pull on the heartstrings of fellow 90s kids. By incorporating older looking clips with more modern ones, Alaina makes the typically boring set up of QVC into an entertaining and fun one.

Paired with all of the famous 90s fashion trends, the music video for “Ladies in the ’90s” is a fantastic ode to the decade. Besides being an incredible song, make sure to check out the music video to satisfy all of your throwback needs. Also, make sure to get your tickets to the THAT GIRL WAS ME TOUR, which goes on presale on May 31. Alaina will be hitting New York on September 20, at the Bowery Ballroom, so don’t miss it!

THAT GIRL WAS ME TOUR Dates:
Sep. 14 Columbia, MO The Blue Note
Sep. 19 Warrendale, PA Jergel’s Rhythm Grille
Sep. 20 New York, NY Bowery Ballroom
Sep. 21 Richmond, VA The National
Sep. 26 Boston, MA Paradise Rock Club
Oct. 3 Columbus, OH The Bluestone*
Oct. 5 Indianapolis, IN 8 Seconds Saloon
Oct. 24 Atlanta, GA Buckhead Theatre
Oct. 25 Nashville, TN Exit/In

This will be a huge summer for Alaina, so make sure to follow her on Instagram, Twitter, and Facebook.

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