Jimmie Allen Releases Gold Edition of Collaboration Album: ‘Bettie James’

Jimmie Allen adds nine collaborations to his already successful project, Bettie James on the new Gold Edition. Available now, June 25th, on all streaming platforms, take a look below as we dig a little deeper into the new music.

The original seven-track project was an incredible collaborative piece on its own including duets with Nelly, Mickey Guyton, Tim McGraw, Brad Paisley, Darius Rucker and Charley Pride, Tauren Wells, Rita Wilson and The Oakridge Boys, and Noah Cyrus. Now, Allen adds 9 more tracks to the collection including collaborations with LOCASH, LANCO, Pitbull, Breland and Lathan Warlick, Monica and Little Big Town, Neon Union, Lindsay Ell, and Babyface.

Not only has Allen established several relationships with artists across the genre and the industry, but this collective work alone has demonstrated his musical range across genres and his infectious personality based on his credibility and relationships with some of the best in the industry. Allen adds his own unique style in each song that meshes differently based on the other artist’s sound, making this project a unique mix of one-of-a-kind sounds.

Allen’s songs with LOCASH and LANCO, “Get Country” and “Home Sweet Hometown”, respectively are lyrically classic country songs but form into each group’s own distinctive sound in country music. They’re about getting back to your roots and what you know and going back to and never forgetting your hometown.

“Home Sweet Hometown // where you keep your first sins // your amens // your kinfolks // your old friends // Home Sweet Hometown // everybody’s got one // or forgot one // aor maybe they’re still calling one // yeah we all try to leave this place and chase some big dreams down // but the world could leave a bitter taste without // Home Sweet Hometown”

Allen’s song with Keith Urban, “Boy Gets A Truck”, is a cover of a deep cut from Urban’s Ripcord album. The two artists duet on the song bringing new life to an already incredible song. It’s a love story told through a hand-me-down truck. 

“A boy gets a truck, truck gets a girl, girl gets a midnight feeling he’s the one // one night turns to love, love turns into one knee down, down payment on a three-bedroom house // filled with the sound of little feet, then you blink and he’s asking for the keys to pick her up”

“Somebody” with Breland, already a trailblazer in country music, and Lathan Warlick is a cross-genre song with notes of trap and pop. Allen then slows things down in “Pray” with Monica and Little Big Town and broadcasts his vocals in ways that have been less common for him thus far in past works. 

No two songs of this project sound the same or follow the same path yet Allen is able to combine them all into this incomparable project and form them to his own sound. As if the original album didn’t get us excited enough for future Allen music, his Gold Edition speaks for itself in his ability to make a name for himself and carve his own space in country music.

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